Miguel Llobet Solés (18 October – 22 February ) was a classical guitarist, born in . Plany (Lament); La filla del marxant (The Merchant’s Daughter); El testament d’Amèlia (Amèlia’s Will); Cançó del lladre (Song of the Thief) Miguel Llobet: El Testament d’Amelia, La Filla del Marxant, Plany, El Mestre.

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Artes Graf, Soler, Chanterelle Verlag On hearing him in Berlin Paul Hindemith declared an intent to compose for the guitar, but did not follow this through – Hindemith’s only work for guitar, the Rondo for Three Guitarshad been written in Biographies of Celebrated Players and Csnco London: It was at this time that he first came into contact with the avant garde. Crescendo 24 Septemberp. In he was in Vienna for the first time.

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Miguel Llobet

Later he received a guitar as a gift from an uncle. This list is incomplete ; you can help by expanding it. He began giving private concerts for intimate gatherings in Among the guitars used by Llobet, one finds: This page was last edited on 18 Novemberat From Wikipedia, the free encyclopedia. Vida y obra de Manuel de Falla Buenos Aires: Bone in The Guitar and Mandolin that Llobet “was killed inin an air raid in Barcelona during the Spanish Civil War ” Bone has been tacitly contradicted by all reliable sources.


By using this site, you agree to the Terms of Use and Privacy Policy. This name uses Spanish naming customs: Chanterelle, now under the ownership of Musicverlag Zimmermann, is in the process of publishing new Urtext editions of the complete catalog under the editorship of Stefano Grondona.

Llobet, M. – Canço del Lladre

He returned again to the Americas in to perform for the Spanish Arts Festival, under the auspices of the Library csnco Congress. On February 22,Llobet died of pleurisy in Barcelona. Views Read Edit View history.

During and he performed throughout Germany. Cancl Pujol was a frequent guest and Manuel de Falla is known to have visited whenever in that city.

Part 5 — Pujol’s Article in Lavignac’s Encyclopedia”, in: Some details of Llobet’s biography are confused and contradictory. Archived from the original xanco In the biographical sketch given by Bruno Tonazzi, [6] Llobet returned to Paris in but according to Purcell he probably temporarily relocated to Buenos Aires in that year.

At the age of 22, Segovia was still youthful enough to have received valuable instruction. Charles Scribner’s Sons, Antonio de Torres,Llobet’s favorite guitar; he refused to have a split in the back repaired for fear that it would affect the exquisite tone.

Miguel Llobet – Canco del Lladre Performance | Guitar Lessons

When in Vienna, Llobet was frequently a guest in the house of Luise Walker’s parents. In response to an inquiry, Purcell stated that “Llobet did not care for the acoustic recording results in and only recorded electronically Classical Guitar 17, no. A Conversational Fragment with Rey de la Torre”, in: His recordings were recorded in and later with Maria Anido”.


The Llobet Archive Rediscovered”, in: Hermann Hauser Official Website: Mangado Artigas, Josep Maria: He does not appear to have performed much at this time, but maintained his artistic contacts.

Segovia’s autobiography, written at the height of his career, depicts himself as being self-taught – there are admissions of his seeking out Llobet’s advice for a short time, but Segovia is quite clear about the lack of any real influence on his playing. Guitar Review Autumnp.

Llobet was a renowned virtuoso who toured Europe and America extensively. Llobet seems to have enjoyed a somewhat reclusive retirement from the concert stage, Rey de la Torre who, as Llobet’s pupil, may well have been his most frequent visitor, writes that “Llobet did not have many visitors Bythe two were performing duets and, according to Purcell, about recorded some of Llobet’s duet arrangements on the Odeon-Parlophone label distributed by Decca.