SYMPHONIE-PASSION, Opus 23 The first symphony for organ was created by Cesar Franck, whose Grande Piece symphonique was completed by Symphonie-Passion Op. 23 () [] The influence of Marcel Dupré on organ playing and composition cannot be over-estimated, and. Alternate Names/Transliterations: Marcel Dupre. = Compositions by: Dupré, Marcel Vêpres du commun des fêtes de la Sainte Vierge, Op (Dupré, Marcel ).

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The key action is mechanical direct linkage from the key to the valves which open to admit wind to the pipes.

Symphonie-Passion, Op 23 (Dupré) – from CDD – Hyperion Records – MP3 and Lossless downloads

The first movement, Allegro maestosois in sonata form and begins boldly with an elegiac theme in octaves, marked by sporadic rhythms and punctuated by diminished-seventh chords. The procession begins with a jagged ostinato repeated bass, over which a stark, slow-moving theme unfolds. The chant is presented alternately in choked phrases in the treble voice and single-note gasps in symphonyy lowest bass notes. Symphonie-Passion, Op 23 composer.

Please help to improve this article by introducing more precise citations. A fair and objective critique of his output should take into account the fact that, occasionally, the emphasis on virtuosity and technique can be detrimental to the musical content and substance.

Man bot ihm einige liturgische Themen zur Improvisation: The Crucifixion is also in three parts: He refers in his memoirs to the evening of 8 December when, at a recital he was giving in the Wanamaker Auditorium in Philadelphia, he was offered several liturgical themes on which to improvise— Iesu redemptor omniumAdeste fidelesStabat mater dolorosa and Adoro te devote. Augustana Lutheran Church, Washington, D. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.


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IL Carnevale di Venezia Clarinet with orchestra. The Coda recalls the middle section and concludes the movement with a quiet variation of the first theme. The opening section of the Resurrection portrays events preceding the dawn of that first Easter.

All motion ceases except for the repetitions of a falling second, a time-honored gesture used to depict grief and weeping. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. He instantly decided to improvise an organ symphony in four movements which depicted in music the life of Jesus: Support us financially by purchasing this disc from.

Currently, you have 0 quantity of this product in your shopping cart. The achievement of these feats was partially due to his native genius and partially due to his extremely hard work doing paper sympjony when he was not busy practising or composing. Views Read Edit Passkon history.

The movement ends in abject silence. The manuals may be coupled either electrically or mechanically. Aside from a few fine works for aspiring organists such as the 79 Chorales op. Write a review on this product!

Marcel Dupré

Iesu redemptor omniumAdeste fidelesStabat mater dolorosa und Adoro te devote. Anthony’s, New Bedford, Mass. Diese Improvisation wurde zur Grundlage seiner Symphonie-Passionop. The Nativitywhich presents a striking contrast to the opening movement, is a triptyque that follows the biblical narrative: Follow us on Twitter. Naxos has Stefan Engels performing the Symfonie-Passion on 8. Additionally, he is active as an accompanist, arranger, and conductor, and for several years was associated with the Adas Israel Congregation and The Master Chorale of Washington.


In seinen Memoiren erinnert er sich an den Abend des 8. Sinfonie Concertanti for two flutes and orchestra. Customers who bought this product also purchased. The Intermezzo in D Major is a scherzo in the spirit of Berlioz.

See what you will get. It prays, weeps or dipre with them. Donate and keep us afloat. The second, more lyrical theme of this exposition is in the chromatic-mediant key of B-flat Major. A calmer and more lyrical theme follows, supported by chromatic harmonies swirling in serpentine lines.

In other projects Wikimedia Commons. The piece is based completely on material heard in the first few measures. But this is transcended by a recapitulation in toccata style in which Adoro te appears again in long notes on the pedal reeds trombones and trumpets supporting a series of canons increasing in complexity and tension, finally exploding into a cascade of exuberant, exultant chords.

The Final in F-sharp Minor is a French Toccata in sonata form, based on a melody that recalls the opening theme of the first movement. A brief but impassioned development ensues, and a surging crescendo leads to the culmination of the movement: One of the most enjoyable.