Jens Andermann is reader in Latin American and Luso-Brazilian Studies at Birkbeck College, University of London. He is the coeditor of Images of Power. Ordentlicher Professor für Iberoromanische Literaturwissenschaft mit besonderer Berücksichtigung der Literaturen ausserhalb Europas. Jens Andermann. Chair of Latin American and Luso-Brazilian Studies. [email protected] Modernity and the Landscape in Latin America: Aesthetics, Politics, Ecology.
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In what ways might artistic, scholarly, and scientific work on nature push our thinking past seeing the world as something we act on, and instead give agency to the landscape itself?
You may purchase this title at these fine bookstores. Neolithic Childhood Anselm Franke.
About Contact News Giving to the Press. Natura takes up this challenge, exploring how recent activist practices and eco-artistic turns in Jenss America can help us to reconfigure the categories of nature and the human. White Noise Ballrooms Stephen Barber.
Yet amid fracking, deep sea drilling, biopiracy, and all the other environmental ravages of late capitalism, we are brought to re-examine the andernann of landscape formations. Outside the USA, see our international sales information.
Moving from botanical explorations of early modernity, through the legacies of mid-twentieth-century landscape design, up to present struggles for the rights of nature and speculative post-human creations, the critical essays and visual contributions in this anthology use interdisciplinary encounters to reimagine the landscape and how we inhabit it.
The Optic of the State traces the production of nationalist imaginaries through the public visual representation of modern state formation in Brazil and Argentina.
Prof. Dr. Jens Andermann
Iconography, Culture and the State in Latin America. For more information, or to order this book, please visit https: Scripted Culture Ines Kleesattel.
Twitter Tweets by ChicagoDistrib. Jesn careful presentation of artifacts and andemann was also aimed abroad in order to win the favor of European imperial powers and thereby acquire a competitive place in the nascent global economy of the late nineteenth century. The purpose of these imaginaries was to vindicate the political upheavals of the recent past and secure the viability of the newly independent states through a sense of historic destiny and inevitable evolution.
For poets, artists, philosophers, and even environmental activists and historians, the landscape has long constituted a surface onto which to project visions of utopia beyond modernity and capitalism. University of Chicago Press: The Optic of the State offers a fascinating critique of the visual aspects of national mythology.
He is the coeditor of Images of Power: As Jens Andermann reveals, the foundational visions of national heritage, territory, and anderkann and ethnic composition were conceived and implemented, but also disputed and contested, in a complex interplay between government, cultural, and scientific institutions and actors, as a means of propagating political agendas and power throughout the emerging states.