Linda Hutcheon, A Theory of Parody: The Teachings of Twintieth-Century Art Forms. New York et Londres, Methuen, , p.. An article from journal Études. “A Theory of Parody: The Teachings of Twentieth-Century Art Forms”: Linda of A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon. According to LINDA HUTCHEON, one of the main features that distinguishes postmodernism from modernism is the fact the it “takes the form of self-conscious, .
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Lists with This Book. You do not currently have access to this article. It feels kind of silly lnda a rating on this, but it’s one theoretical text that I actually quite enjoyed reading. University of Illinois Press Amazon.
A Theory of Parody: The Teachings of Twentieth-century Art Forms – Linda Hutcheon – Google Books
Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. Newton – – British Journal of Aesthetics 29 3: A mostly readable volume, despite the time spent worrying over modern theoretical quibbles.
Read, highlight, and take notes, across web, tablet, hutceon phone. Hutcheon’s chief achievemen A useful volume written partly in reaction to the idea that theory determines what one says paeody literature. May 04, Debbie Gascoyne rated it really liked it Shelves: The Shepheardes Calender and the Tragedians.
Introduction to Linda Hutcheon, Module on Parody
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A Theory of Parody: The Teachings of Twentieth-Century Art Forms
Friendship Dynamics and Creative Work. Request removal from index. Sign in Create an account. In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.
Og Hutcheon – – Common Knowledge 9 1: Sviatek rated it it was ok Nov 30, May 18, meeners rated it really liked it Shelves: The move to distinguish parody from satire is the volume’s best argument and naturally Hutcheon takes a fair amount of time over it. You could not be signed in. Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above.
Reading to Discover in The Anatomy of Melancholy. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.
A Theory of Parody: Jul 28, Phillip rated it it was amazing Shelves: Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past.
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This expands the definition of parody out of just the comic, and Hutcheon gives many examples from the visual arts, film, classic li Though she spends quite a bit of time in her introduction and conclusion justifying her theoretical situation not formalist, not decon, not reader response, not anythingand ends up with a product that, I think, has a lot to do with formalism anyway, this is a very useful book thoery explains a clear definition of parody: It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide.
Anne Marie rated it liked it Mar 04, Linda Hutcheon – Both my linfa and I he read one of Hutcheon’s other books agreed that her style is interes This book is more of a formalist work than I’m used to dealing with, but it was very useful in terms of my thinking about parody. Want to Read saving…. A Poetics of Postmodernism: This entry has no external links.
Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. She only moves to theorizing once she has established basic parameters of the genre under discussion. Tom Halford rated it it was amazing Jul 31, Linda Hutcheon – og Common Knowledge 9 2: History, Theory, Fiction by Linda Hutcheon.